About Me

I have been an artist for as long as I can remember.

My father, an accomplished artist himself, became my first teacher when I was very young. From the time I could hold a pencil, he taught me to observe—to really see—and gave me a foundation in drawing and painting that would shape the rest of my life.

One of my earliest memories of realizing that art might be something different for me happened in first grade. Our class had colored maple leaves for a display, and when mine was shown, the other children gathered around it in amazement. I wanted to disappear under my desk from the attention, but I also remember feeling incredibly proud. For the first time, I understood that I saw things a little differently.

Art became much more than a talent as I grew older. During difficult years in my teens, including my parents’ divorce and the death of my grandfather, creating became a place of refuge. I discovered early what I would come to understand much more deeply later in life: art has the ability to turn us inward, help us process what we have lived through, and sometimes reveal things we cannot yet put into words.

I continued my art education through high school, attending weekend classes at art schools in Boston and later pursuing formal studies in commercial art, fashion design, and interior design. After earning my bachelor’s degree in Commercial Art, I worked briefly in the commercial art field, but quickly realized that I needed to create with my hands. I wanted paint, texture walls and surfaces, and the physical process of making something.

In 1998, I started my own decorative painting business in Massachusetts. After moving to Florida in 2000, I rebuilt my clientele and developed a career as a muralist and decorative artist. A collaboration with Garay Artisans and Focal Point introduced me more deeply to the world of fine decorative finishes. For six years, we worked throughout Florida and Georgia, combining murals, faux finishes, specialty surfaces, and decorative techniques to create custom environments for residential and commercial clients.

Over the decades, my work expanded to include murals, trompe l’oeil, gilding, faux marble and wood, textured finishes, decorative furniture, custom canvas work, and specialty finishes. Those years taught me to work fearlessly with materials and scale—and to see the surface itself as part of the story.

A New Chapter — Women of Light

In 2026, after decades as a muralist and decorative artist, my work began moving in a new direction.

I returned to canvas.

But I did not leave my past behind.

Instead, I began bringing everything I had learned—texture, plaster, layering, collage, gilding, metallics, pattern, drawing, portraiture, and the imperfect marks of the hand—onto the canvas with me.

From that evolution came Women of Light, a 30-painting body of work exploring transformation, connection, resilience, and the layers of experience that shape who we become.

The collection unfolds in three movements.

The first, The Daughters, explores becoming through ten figurative works, each representing a different stage of awakening and self-discovery.

The second, Sisters, explores the relationships between women—the bonds, histories, differences, and connections we carry with one another.

The final movement moves away from the figure and into abstraction. Here, the surface itself carries the story through layers, fragments, texture, color, and marks that invite the viewer to look more closely.

My work today is the culmination of a lifetime spent creating.

The murals taught me scale.
Decorative painting taught me surface.
Life taught me layers.

And now, canvas is giving me a place to bring all of them together.

For me, art has always been about more than making something beautiful. It is about what exists beneath the surface—the histories we carry, the moments that change us, and the light we discover along the way.

 

Education & Training

Bachelor of Arts in Commercial Art
Notre Dame College
Minor in Fashion Design

Interior Design Studies
Endicott College

Additional studies and training include:

Boston-area art studies
Massachusetts School of Fine Arts
Mid Florida Technical Institute
Cambridge Animation Studio — Internship
Milan Art Institute — Continuing Fine Art Studies, 2025–Present

My Experience

Projects

Hyatt, Orlando International Airport, FL

Universal Studios Portofino Hotel….Orlando, FL

UCP of Central Florida, Helping Children With Special Needs, Orlando, FL

Omaha Steakhouse At Embassy Suites…Altamonte Springs, FL

Orlando International Airport(food court terminal A)…Orlando, fL

The Grand Bohemian, Asheville NC

The Grand Bohemian, Savannah GA

Hilton, Orlando FL

The Inn At Seabring, Seabring FL

Waa Restaurant in Dr Philips FL

Residential:includes FL, OR, MA and WA

Special subcontracting thanks to Garay Artisans and Focal Point

Disney World’s Animal Kingdom….Orlando, FL
Special thanks to Surreal Studios

East coast Karate Studio…Swampscott Ma

Hard Rock-World Wide

 

Finishes and Techniques

Prep work for walls: including base painting, minor wall repair

Glazes: traditional glaze, leather, color wash, metallics, waxes

Stone: marble, brick, flagstone, stone block, regular stone.

Wood: oak, mahogany and color matching

Gilding: gold leaf, silver leaf, patina,

Texture: snakeskin, leather with tissue, crackle, luster stone, old world, hand painted papers,veniectian plasters, Mamorino Italian plaster.

Stenciling: self-made boarders, and architural, freeform designs.

Artwork: murals, canvas, trompe l’oeil, boarders, decorative patters, architectural,
Tropical, children’s, Mediterranean, old world, southwestern, modern, abstract.

Specialties: combining faux finishes with murals
Distressing mirrors with a technique that offers metalics in the aging process. As seen in the Grand Bohemian photos.